What examples (plural) do you have of this?
He has written one script that isnt an action film, and that was for the highest grossing film of all time.
So other than that one example of him writing a non action film, what other examples can you give us?
No action film is entirely action, so I was referring to the other bits: comedy, romance, character-setting, etc that appear within any film lumped into the genre "action". And as I said, he's great at directing action, but tends towards saccharine when the romance starts, for instance. And as I've also said, as long as another writer is there to keep him under control, he's usually not too bad. But much of the script of Titanic was laughably bad: loads of "Oirish" clichés, "rich-girl-falls-for-poor-but-honest-boy" clichés, "despicable-rich-boyfriend" clichés. Really, you could have found most of the main plot elements in a a silent film. The Abyss was handled better, but even there the re-burgeoning romance there was subtle as a flying mallet. It is even more cloying in the extended version, where the far-too-cute (looking like angels - really, isn't that just a bit obvious?) aliens replay more of Ed Harris' "last" transmissions.
Subtle is not required for action, and sometimes not for comedy, but it's pretty important for many other bits. And Cameron really struggles with it.
M